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    <loc>https://www.annielukins.com/work</loc>
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    <lastmod>2026-10-31</lastmod>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work - Opera in the Dark</image:title>
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      <image:title>Work - tableau in heaven</image:title>
      <image:caption>Tableau in Heaven Puppet Theater and dance / production still / approx. 15 min / 2016 Port Townsend Public Theater</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Performance / still / 40 min / approx. 10' x 14” apparatus / 2017</image:caption>
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      <image:caption>Performance, role-playing conversation / production still / 2018</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Live performance with video / performance still / approx. 30 min / 2022 Mudwig the goblin delivers his opening monologue on love and grief. Mrs Death looks on alongside her consort of water goblins.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Live performance with sculpture and paintings / performance still / approx. 1 hr / 2023</image:caption>
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      <image:title>Work - IT IS A GOOD PROJECT AND SHOULD BE BUILT</image:title>
      <image:caption>2024 three channel video installation 33:45 minutes Director, Producer, and Editor: by Fred Schmidt-Arenales Additional Editing: Sam Kahrar Director of Photography: Nellie Kluz Additional Camera: Boothe Carlson, London Ham, Ryan Hawk, Ronal Lewellyn Jones, Bobby Nash Location Sound: Brian Albritton, Traci Hercher Art Direction: Andy Davis, Anne Lukins Composer: Jacob Brunner Sound Design and Mix: Natasha Jean Jacobs Color Correction: Ben Neufeld For this scene, filmed Oct. 2023, CRASIS (Anne Lukins and Andy P. Davis) was commissioned to design and carry out a ritual to be included in the film: ‘IT IS A GOOD PROJECT AND SHOULD BE BUILT. The film centers on “The Ike Dike”: a proposed piece of climate mitigation infrastructure, designed to protect the Houston area, as well as  local fossil-fuel refinery and transport infrastructure, from the effects of sea-level rise and hurricane surge.  Three performers perch on metal tripods, analogous to those used by Earth First! and other environmental justice groups during acts of nonviolent resistance. Using high beam flashlights, they illuminate a three-bodied entity as she emerges from the ocean. Three actors in business attire stand at the base of each tripod, observing. In the distance, container ships come and go from the Bay of Galveston.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Immortality Thesis [Performance Still]  Duration: approx. 35 mins. Performed at the Blaffer Art Museum, 2025</image:caption>
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    <loc>https://www.annielukins.com/new-gallery-5</loc>
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    <lastmod>2026-10-31</lastmod>
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      <image:title>Rude Screen</image:title>
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  <url>
    <loc>https://www.annielukins.com/statement</loc>
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    <priority>0.75</priority>
    <lastmod>2023-01-13</lastmod>
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